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Meet Glenn Gear!

Glenn Gear is a filmmaker and multi-disciplinary artist currently based in Montreal, Quebec, originally from Newfoundland. The emerging artist is featured in INUA, the inaugural exhibition of Qaumajuq and has been long-listed for the 2021 Sobey Art Awards!

Gear’s work was also projected this winter on the two connected WAG-Qaumajuq buildings as part of Qaumajuq365, the Inuit art centre’s inaugural year.

Kimutsiijut (dog team) follows a caravan of “ghost dogs” running wild across the frame of the animation. These dogs mark a traditional way of life for Inuit who have depended on dog teams for access to the land, hunting, and travelling. The ghost dogs also recall the brutal dog slaughters that occurred across the Canadian North from the 1950s-1970s, meant to move Inuit off the land in an effort to ‘civilize’ them. Gear’s ghost dogs return in this work as resilient spirits to tell their story, as they run towards a place that promises to be more empathetic, inclusive, and just.

 

 

As part of his Inuit Futures 2020 Artist-in-Residency, Glenn Gear shows us how to make a stop-motion animation video using a black bear paper puppet. Watch and follow along to try for yourself!

 

You can learn more about Gear’s C-Can installation, titled luani/Silami (It’s full of stars), in INUA in this CBC Manitoba video, and check it out in the exhibition that’s on view until December 2021.

This post is part of RBCxWAG: INUA Virtual Sessions, connecting you with Qaumajuq’s inaugural exhibition no matter where you are in the world! Watch for monthly programs with the artists and curators at wag.ca/inua.

 

 

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WAG-Qaumajuq recognizes that land acknowledgements are part of an ongoing dialogue with Indigenous Nations, and we are grateful to live and work on these lands and waters. Institutionally, WAG-Qaumajuq is committed to acknowledging our colonial history and we are actively working to interrogate the Gallery’s colonial ways of being.

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