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WAG-Qaumajuq Launches Visible Vault Digital Platform, Supported by Canada Council for the Arts

New platform gives access to art and stories featured in Qaumajuq’s Visible Vault

Winnipeg, Manitoba, Treaty 1 Territory, July 22, 2021: The Winnipeg Art Gallery (WAG)-Qaumajuq is pleased to announce the Visible Vault interactive digital platform launches today, made possible with support from the Canada Council for the Arts.

The innovative trilingual online platform (English, Inuktitut, and French) gives the public access to the world’s largest public collection of contemporary Inuit art, housed in the three-story glass vault in the new Inuit art centre, from anywhere.

Interactive elements include regional maps featuring communities from across Inuit Nunungat, the homeland of Inuit in Canada. Visitors will also find artist bios and learn about the stories behind the artwork that integrate Inuit Qaujimajatuangit, or Inuit traditional knowledge, technology, and societal values.

Starting today, the public can take a closer look at 150 key pieces in Qaumajuq’s Visible Vault and get a 360° tour of the glass vault on all levels. Explore the platform now at

By September 2021, Qaumajuq visitors will be able to experience an expanded version of the Visible Vault digital platform onsite through a series of touchscreen monitors. In addition to digital interactive explorations of the 150 key pieces, visitors will be able to navigate all 492 shelves and identify thousands of carvings in the vault.

Quick Facts:

  • The Visible Vault interactive digital platform is now available at and made possible with support from the Canada Council for the Arts through the Digital Strategies Fund.
  • Special features include over 75 audio and visual clips and unique commentaries highlighting the voices of Inuk elders, knowledge keepers, artists, curators, and performers.
  • Maxine Anguk – an Inuk who grew up in Whale Cove, Nunavut before relocating to Winnipeg – helped bring the vision to life as the Visible Vault Digital Platform Project Manager. Throughout the initiative, Maxine worked closely with Inuit filmmakers, photographers, as well as local Inuit elders and youth, to create a forum for as many Inuit voices as possible.
  • During the project’s second phase, the two versions of the platform (online and onsite) will expand to include more Inuit voices and additional features that highlight the many works of art and artists.
  • The platform offers website visitors virtual access to artist biographies with help from the Inuit Art Foundation. 

Featured Artists:

The 150 key pieces highlighted on the digital platform feature a broad range of Inuk artists from 25 communities, and represent every region across Inuit Nunangat. The works date from the early 1950s to the present day. They include internationally acclaimed artists such as John Tiktak, Davidialuk Alasua Amittu, Oviloo Tunnillie, John Pangnark, Lucy Tutsweetok Tasseor, Judas Ullulaq, John Kavik, and Abraham Anghik Ruben. The sculptures reveal the use of a wide variety of stone types, subjects and styles, and demonstrate the impressive diversity of contemporary Inuit art.


“We thank the Canada Council for the Arts for making this project possible. The digital platform allows access to audiences across the country and internationally, breaking down barriers and connecting people and art even from afar, which has become even more meaningful since the pandemic. We are proud to have the world’s largest collection of public Inuit art on display – now digitally – for all to enjoy.”

— Dr. Stephen Borys, Director & CEO, WAG-Qaumajuq

“I’m most excited for Qaumajuq to be open for the community, for people to learn about Inuit culture, history, and the artists whose art will be featured in the space. It will be an amazing learning experience. It’s time for Inuit to be included in conversations that happen around Indigenous communities.”

— Maxine Anguk, Visible Vault Digital Platform Project Manager

WAG-Qaumajuq thanks the Canada Council for the Arts for funding the platform, to developer Tactica Interactive, and content partner the Inuit Art Foundation. Special thanks to Doug and Louise Leatherdale for making Ilavut possible, Qaumajuq’s entrance hall that includes the Visible Vault, all donors who adopted a shelf on the Visible Vault,and all Qaumajuq supporters.

Associated Links
Qaumajuq’s Visible Vault
Maxine Anguk on Qaumajuq’s Digital Vault Platform
Canada Council for the Arts

Stay Connected
Follow us on Facebook, Twitter, and Instagram  #atwag #qaumajuq365 #visiblevault


For more information or to arrange interviews, please contact:

Amy Rebecca Harrison
Engagement Supervisor
Winnipeg Art Gallery

The Winnipeg Art Gallery (WAG)-Qaumajuq is a cultural advocate using art to connect, inspire, and inform. Playing a dynamic role in the community, we are a place for learning, dialogue, and enjoyment through art. Opened in March 2021, Qaumajuq connects to the WAG on all levels, celebrating the largest public collection of contemporary Inuit art in the world. The new WAG-Qaumajuq cultural campus is now one of the largest art museums in Canada. To learn more visit


WAG-ᖃᐅᒪᔪᖅ ᐱᒋᐊᕐᓂᐊᖅᑐᖅ ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᒥᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᒥᒃ, ᐃᑲᔪᖅᑕᐅᑉᓗᑎᒃ ᑲᓇᑕᒥᑦ ᑲᑎᒪᔩᑦ ᓴᓇᙳᐊᒐᓕᕆᔨᒃᑯᓄᑦ
ᓄᑖᖅ ᐊᑐᖅᑕᐅᓂᐊᖅᑐᖅ ᓴᓇᙳᐊᒐᓄᐊᕈᖕᓇᖅᑎᑦᑎᔪᖅ ᐊᒻᒪᓗ ᐅᓂᑉᑳᖅᑐᐊᓄᑦ ᖃᐅᒪᔪᕐᒥᑦ ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᖓᓐᓂᑦ

ᐅᐃᓂᐲᒡ, ᒫᓂᑑᐸ, Treaty 1 ᐃᓂᖓᑦ, ᔪᓚᐃ 22, 2021: ᐅᐃᓂᐲᒡ ᓴᓇᙳᐊᒐᖃᕐᕕᒃ (WAG) ᖃᐅᒪᔪᖅ ᖁᕕᐊᓱᒃᑐᖅ ᑐᓴᖅᑎᑦᑎᖕᒪᑕ ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᖓᓐᓂᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᖕᓇᖅᑐᖅ ᐱᒋᐊᖅᑎᑕᐅᓂᐊᖅᑐᖅ ᐅᑉᓗᒥ, ᐊᔪᕐᓇᙱᑎᑕᐅᑉᓗᓂ ᑲᓇᑕᒥᑦ ᑲᑎᒪᔩᑦ ᓴᓇᙳᐊᒐᓕᕆᔨᒃᑯᓄᑦ.

ᓄᑖᖅ ᐱᖓᓱᓂᒃ ᐅᖃᐅᓯᒃᑯᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᖕᓇᖅᑐᖅ (ᖃᑉᓗᓈᑎᑐᑦ, ᐃᓄᒃᑎᑐᑦ, ᐊᒻᒪᓗ ᐅᐃ-ᐅᐃ-ᑎᑐᑦ) ᑭᑐᑐᐃᓐᓇᓄᑦ ᑕᑯᔭᐅᔪᖕᓇᖅᑐᖅ ᓄᓇᕐᔪᐊᕐᒥᑦ ᐊᖏᓛᖑᔪᖅ ᑭᑐᑐᐃᓐᓇᕐᓂᑦ ᑲᑎᑕᐅᓯᒪᔪᑦ ᐅᑉᓗᒥᐅᔪᖅ ᐃᓄᐃᑦ ᓴᓇᙳᐊᒐᖏᑦ, ᐱᖓᓱᓂᑦ ᖁᓕᕇᓕᖕᒦᑦᑐᒥᑦ ᐊᓕᒍᕐᒥᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᒦᑦᑐᑦ ᓄᑖᖑᔪᒥᑦ ᐃᓄᖕᓄᑦ ᓴᓇᙳᐊᒐᖃᕐᕕᖕᒥᑦ, ᓇᑭᑐᐃᓐᓈᖅᑐᓂᒃ.

ᐊᑐᖅᑕᐅᔪᖕᓇᖅᑐᖃᖅᑐᒥᑦ ᐃᓚᐅᔪᑦ ᐊᕕᒃᑐᖅᓯᒪᔪᓄᑦ ᓄᓇᙳᐊᑦ ᓄᓇᓖᑦ ᐃᓄᐃᑦ ᓄᓇᖓᓐᓂᑦ, ᐊᖏᕐᕋᖓᑦ ᐃᓅᔪᓄᑦ ᑲᓇᑕᒥᑦ. ᑕᑯᔭᖅᑐᐃᔪᑦ ᑕᑯᔪᖕᓇᕐᓂᐊᕐᒥᔭᖏᑦ ᓴᓇᙳᐊᖅᑏᑦ ᑭᑑᓂᖏᓐᓄᑦ ᐅᓂᑉᑳᓂᒃ ᐊᒻᒪᓗ ᐃᓕᑦᑎᓗᑎᒃ ᐅᓂᑉᑳᖏᓐᓂᑦ ᓴᓇᙳᐊᖅᑕᐅᔪᓄᑦ ᐃᓚᐅᑎᑕᐅᓯᒪᔪᑦ ᐃᓄᐃᑦ ᖃᐅᔨᒪᔭᑐᖃᖏᑦ, ᐅᕝᕙᓘᓐᓃᑦ ᐃᓄᐃᑦ ᐱᖅᑯᓯᖏᓐᓂᒃ ᖃᐅᔨᒪᓂᕆᔭᐅᔪᑦ, ᑲᑉᐳᔾᔭᓅᖅᑐᑦ, ᐊᒻᒪᓗ ᐃᓅᖃᑎᒌᖕᓂᕐᒧᑦ ᐱᒻᒪᕆᐅᒋᔭᐅᔪᑦ.

ᐅᑉᓗᒥ ᐱᒋᐊᕐᓗᓂ, ᑭᑐᑐᐃᓐᓇᐃᑦ ᑕᑯᒋᐊᑦᑎᐊᒃᑲᓐᓂᕈᖕᓇᖅᑐᑦ 150-ᓂᒃ ᖃᐅᒪᔫᑉ ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᖓᓐᓂᑦ ᐊᒻᒪᓗ 360°-ᖑᔪᒥᑦ ᑕᐅᑐᕋᓐᓈᕐᓗᑎᒃ ᐊᓕᒍᕐᒥᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᒥᑦ ᓇᓕᐊᖕᓂᑐᐃᓐᓇᖅ ᖁᓕᕇᓕᖕᓂᑦ. ᕿᒥᕐᕈᓕᕈᒃ ᐊᑐᖅᑕᐅᔪᖅ ᐅᕙᓂ

ᓯᑎᐱᕆ 2021-ᒥᑦ, ᖃᐅᒪᔪᕐᒥᑦ ᑕᑯᔭᖅᑐᐃᔪᑦ ᐊᑐᕈᖕᓇᕐᓂᐊᖅᑐᑦ ᐊᖏᒡᓕᒋᐊᖅᓯᒪᔪᒥᒃ ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᒥᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᖕᓇᖅᑐᒥᑦ ᐊᔾᔨᒌᙱᑦᑐᒃᑯᑦ ᐊᒃᑐᕆᐊᓕᒃᑯᑦ ᓵᖕᓃᑦᑐᓄᑦ. ᐃᓚᒋᔭᐅᑉᓗᓂ ᖃᕆᑕᐅᔭᒃᑯᑦ ᖃᓄᐃᓕᐅᕈᑕᐅᔪᖕᓇᖅᑐᑦ 150-ᓂᒃ ᕿᒥᕐᕈᓂᕐᓂᑦ, ᑕᑯᔭᖅᑐᐃᔪᑦ ᐊᓯᐊᓄᙵᐅᔪᖕᓇᖃᑦᑕᕐᓂᐊᖅᑐᑦ 492 ᖁᓕᕈᐊᕐᓄᑦ ᐃᓕᑕᖅᓯᓗᑎᒡᓗ ᑕᐅᓯᓐ-ᖏᓐᓃᑦᑐᓂᒃ ᓴᓇᙳᐊᒐᓂᒃ ᑐᖅᑯᖅᓯᒪᕝᕕᒥᑦ.

ᐱᓐᓂᑯᐃᑦ ᑕᑯᑲᐅᑎᒋᓗᒋᑦ:

  • ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᒥᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᖕᓇᖅᑐᖅ ᒪᓂᒪᓕᖅᑐᖅ ᐅᕙᓂ ᐊᒻᒪᓗ ᐊᔪᕐᓇᙱᑎᑕᐅᑉᓗᓂ ᐃᑲᔪᖅᑕᐅᓂᖏᓐᓄᑦ ᑲᓇᑕᒥᑦ ᑲᑎᒪᔩᑦ ᓴᓇᙳᐊᒐᓕᕆᔨᒃᑯᓄᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᖃᓄᖅᑑᕆᓂᕐᒧᑦ ᑮᓇᐅᔭᒃᑯᑦ.
  • ᑕᑯᒃᓴᐅᑎᑕᐅᔪᓂᑦ ᐃᓚᐅᔪᑦ 75 ᐅᖓᑖᓄᑦ ᓂᐱᓕᐅᖅᓯᒪᔪᑦ ᐊᒻᒪᓗ ᐊᐅᓚᔪᐃᑦ ᐊᒻᒪᓗ ᐅᖃᓪᓚᒃᑐᑦ ᓂᐱᖏᑦ ᐃᓐᓇᕆᔭᐅᔪᑦ ᐃᓄᐃᑦ, ᖃᐅᔨᒪᓂᕐᓂᒃ ᐱᓯᒪᔪᑦ, ᓴᓇᙳᐊᖅᑏᑦ, ᑕᑯᔭᒃᓴᓕᐅᖅᑏᑦ, ᐊᒻᒪᓗ ᑕᐅᑐᕋᓐᓈᖅᑎᑦᑎᔩᑦ.
  • ᒫᒃᓰᓐ ᐋᖑᒃ – ᐃᓄᒃ ᐱᕈᖅᓴᓯᒪᔪᖅ ᑎᑭᕋᕐᔪᐊᕐᒥᑦ, ᓄᓇᕗᒻᒥᑦ ᐅᐃᓂᐲᒡᒥᐅᑕᙳᕐᓂᐊᓵᖅᖢᓂ – ᐃᑲᔪᓚᐅᖅᑐᖅ ᑕᐅᑐᒐᕆᔭᐅᔪᒥᒃ ᐱᙳᖅᑎᑕᐅᓂᖓᓄᑦ ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᒥᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᖕᓇᖅᑐᒥᒃ ᐊᐅᓚᑦᑎᔨᐅᑉᓗᓂ. ᐱᓕᕆᐊᒃᓴᑎᒍᑦ, ᒫᒃᓰᓐ ᐱᓕᕆᖃᑎᖃᓚᐅᖅᑐᖅ ᐃᓄᐃᑦ ᐊᐅᓚᔪᓕᐅᖅᑎᓂᒃ, ᐊᔾᔨᓕᐅᕆᔨᓂᒃ, ᐊᒻᒪᓗ ᐃᓐᓇᕆᔭᐅᔪᓂᒃ ᐊᒻᒪᓗ ᒪᒃᑯᒃᑐᓂᒃ ᐃᓄᖕᓂᑦ, ᓴᖅᑭᑦᑎᓂᐊᕐᓗᑎᒃ ᐃᓚᐅᑎᓪᓗᒋᑦ ᐊᒥᓲᒋᐊᖅᖢᒋᑦ ᐃᓄᐃᑦ ᓂᐱᒋᓐᓂᒃ.
  • ᐱᓕᕆᐊᖅ ᑐᒡᓕᐊᓃᓕᖅᑎᓪᓗᒍ, ᒪᕐᕉᒃ ᐊᔾᔨᒌᙱᑦᑐᑦ ᐊᑐᖅᑕᐅᔪᒃᓴᐃᑦ (ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᒻᒪᓗ ᐃᓂᐅᔪᒥᑦ) ᐊᖏᒡᓕᒋᐊᕐᓂᐊᖅᑐᖅ ᐃᓚᐅᑎᑦᑎᒃᑲᓐᓂᕐᓂᐊᕐᓗᓂ ᐃᓄᐃᑦ ᓂᐱᖏᓐᓂᑦ ᐊᒻᒪᓗ ᐃᓚᓯᒃᑲᓐᓂᕐᓗᑎᒃ ᑕᑯᒃᓴᐅᔪᓂᒃ ᐊᒥᓱᐃᑦ ᓴᓇᙳᐊᖅᑎᓄᑦ ᓴᓇᙳᐊᖅᑕᐅᔪᑦ.
  • ᐊᑐᖅᑕᐅᓂᐊᖅᑐᖅ ᖃᕆᑕᐅᔭᒃᑯᑦ ᑕᑯᔭᐅᒋᐊᖅᑕᕐᕕᖕᒧᐊᖅᑐᓂᒃ ᓴᓇᙳᐊᖅᑎᓂᒃ ᐱᔾᔪᑎᖃᖅᑐᓄᐊᕈᖕᓇᖅᑎᑦᑎᔪᖅ ᐃᑲᔪᖅᑕᐅᓗᑎᒃ ᐃᓄᖕᓄᑦ ᓴᓇᙳᐊᖅᑎᓄᑦ ᑐᙵᕕᖕᒧᑦ.

ᑕᑯᒃᓴᐅᑎᑕᐅᔪᑦ ᓴᓇᙳᐊᖅᑏᑦ:

150 ᐊᔾᔨᒌᙱᑦᑐᑦ ᑕᑯᒃᓴᐅᔪᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᒥᑦ ᐊᒥᓱᒻᒪᕆᐊᓗᐃᑦ ᐊᔾᔨᒌᙱᑦᑐᑦ ᐃᓄᖕᓂᒃ ᓴᓇᙳᐊᖅᑎᓂᒃ 25-ᓂᑦ ᓄᓇᓕᖕᓂᙶᖅᑐᓂᒃ, ᐊᒻᒪᓗ ᓇᑭᓗᒃᑖᖅ ᐊᕕᒃᑐᖅᓯᒪᔪᓂᑦ ᐃᓄᐃᑦ ᓄᓇᖓᓐᓂᑦ. ᐱᓕᕆᐊᖅ ᐱᒋᐊᓚᐅᖅᑐᖅ ᐱᒋᐊᓵᖅᑎᓪᓗᒋᑦ 1950-ᖏᑦ ᐅᑉᓗᒥᒧᑦ ᑎᑭᖦᖢᒍ. ᐃᓚᐅᔪᑦ ᓄᓇᕐᔪᐊᕐᒥᑦ ᐃᓕᑕᕆᔭᐅᓯᒪᔪᑦ ᓴᓇᙳᐊᖅᑏᑦ ᓲᕐᓗ ᔮᓐ ᑎᒃᑕᖅ, ᑕᐃᕕᑎᐊᓗᒃ ᐊᓛᓱᐊ ᐊᒥᑦᑐ, ᐅᕕᓗᖅ ᑐᓐᓂᓕᒃ, ᔮᓐ ᐸᖕᓇᖅ, ᓘᓯ ᑐᑦᓱᐃᑦᑐᖅ ᑕᓯᐅᖅ, ᔫᑕᔅ ᐅᓪᓗᓚᖅ, ᔮᓐ ᖃᕝᕕᒃ, ᐊᒻᒪᓗ ᐊᐃᐳᕋᐋᒻ ᐊᖕᕼᐃᒃ ᕉᐱᓐ. ᓴᓇᙳᐊᖅᓯᒪᔪᑦ ᖃᐅᔨᑎᑦᑎᔪᑦ ᐊᑐᖅᑕᐅᖃᑦᑕᕐᓂᖏᑦ ᐊᔾᔨᒌᙱᑦᑐᑦ ᐊᒥᓱᐃᑦ ᐅᔭᖅᑲᐃᑦ, ᐱᔾᔪᑎᒋᔭᐅᔪᓂᒃ ᐊᒻᒪᓗ ᐋᖅᑭᐅᒪᓂᖏᓐᓂᑦ, ᐊᒻᒪᓗ ᑕᑯᒃᓴᐅᑉᓗᑎᒃ ᐱᐅᔪᐊᓗᖕᓂᒃ ᐊᔾᔨᒌᙱᑦᑐᓂᒃ ᐅᑉᓗᒥᐅᔪᖅ ᐃᓄᐃᑦ ᓴᓇᙳᐊᖅᑕᖏᓐᓂᑦ.


“ᖁᔭᓐᓇᒦᖅᑕᕗᑦ ᑲᓇᑕᒥᑦ ᑲᑎᒪᔩᑦ ᓴᓇᙳᐊᒐᓕᕆᔨᒃᑯᑦ ᐱᓕᕆᐊᖑᔪᖅ ᐊᔪᕐᓇᙱᓕᖅᑎᒻᒪᔾᔪᒃ. ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᖅ ᑕᑯᔭᒃᓴᐅᑎᑦᑎᔪᖕᓇᕐᓂᐊᖅᑐᖅ ᑲᓇᑕᓗᒃᑖᕐᒥᑦ ᐊᒻᒪᓗ ᓄᓇᕐᔪᐊᕐᒥᑦ, ᑐᓗᖅᑕᕈᑎᖃᕈᖕᓃᖅᑎᑦᑎᑉᓗᓂ ᐊᒻᒪᓗ ᑲᑎᑎᑦᑎᓂᖃᖅᖢᓂ ᐃᓄᖕᓂᑦ ᐊᒻᒪᓗ ᓴᓇᙳᐊᖅᑕᐅᔪᓂᒃ ᐅᖓᓯᒃᑐᐊᓗᐊᕐᒥᙶᖅᑑᒐᓗᐊᓂᒃ, ᑐᑭᖃᓕᖅᑎᑦᑎᒃᑲᓐᓂᖅᑐᖅ ᑕᐃᒪᙵᓂᑦ ᓄᕙᒡᔪᐊᕐᓇᖅ ᐱᒋᐊᕐᒪᑦ. ᓴᕆᒪᓱᒃᑐᒍᑦ ᓄᓇᕐᔪᐊᕐᒥᑦ ᐊᖏᓛᖑᔪᒥᑦ ᑲᑎᖅᓱᒐᕐᓂᒃ ᑭᑐᑐᐃᓐᓇᕐᓂᒃ ᐃᓄᐃᑦ ᓴᓇᙳᐊᒐᖏᓐᓂᑦ ᑕᑯᒃᓴᐅᔪᓂᑦ – ᖃᕆᑕᐅᔭᒃᑰᓕᖅᑐᑦ – ᑭᑐᓗᒃᑖᓄᑦ ᖁᕕᐊᒋᔭᐅᓂᐊᕐᓗᑎᒃ.”

— ᐃᖢᐊᖅᓴᐃᔨ ᓯᑏᕕᓐ ᐳᐊᕆᔅ, ᐊᖓᔪᖅᑳᖅ ᐊᒻᒪᓗ ᐃᓱᒪᑕᖅ, WAG-ᖃᐅᒪᔪᖅ

“ᖁᕕᐊᒋᓛᕆᔭᕋ ᖃᐅᒪᔪᖅ ᐅᒃᑯᐃᖓᓂᐊᕐᓂᖓ ᓄᓇᓕᖕᒧᑦ, ᐃᓄᖕᓄᑦ ᐃᓕᑦᑎᔪᖕᓇᕐᓂᐊᕐᓗᑎᒃ ᐃᓄᐃᑦ ᐱᖅᑯᓯᖏᓐᓂᑦ, ᐱᓐᓂᑯᖏᓐᓂᑦ, ᐊᒻᒪᓗ ᓴᓇᙳᐊᖅᑏᑦ ᓴᓇᙳᐊᒐᖏᑦ ᑕᑯᒃᓴᐅᖃᑕᐅᑎᑕᐅᓂᐊᕐᓂᖏᓐᓄᑦ. ᐱᑦᑕᐅᔪᐊᓘᓂᐊᖅᑐᖅ ᐃᓕᑦᑎᕙᓪᓕᐊᓂᕐᒧᑦ. ᐃᓄᐃᑦ ᐃᓚᐅᑎᑕᐅᔭᕆᐊᖃᓕᖅᑐᑦ ᐅᖃᓪᓗᕆᒃᓴᐅᑎᓂᕐᓂᑦ ᓄᓇᖃᖅᑲᖅᑐᑦ ᓄᓇᓕᖏᑦᑕ ᒥᒃᓵᓄᑦ.”

— ᒫᒃᓰᓐ ᐋᖑᒃ, ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᒥᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᖕᓇᖅᑐᒧᑦ ᐊᐅᓚᑦᑎᔨ

WAG-ᖃᐅᒪᔪᖅ ᖁᔭᓐᓇᒦᖅᑐᖅ ᑲᓇᑕᒥᑦ ᑲᑎᒪᔩᑦ ᓴᓇᙳᐊᒐᓕᕆᔨᒃᑯᓂᑦ ᑮᓇᐅᔭᖃᖅᑎᑦᑎᓂᖓᓐᓄᑦ ᐊᑐᖅᑕᐅᔪᒥᑦ, ᐊᒻᒪᓗ ᐱᕙᓪᓕᐊᔭᐅᓂᖓb ᑖᒃᑎᑲ ᖃᓄᐃᓕᐅᕐᕕᒃ ᐱᓕᕆᖃᑎᒋᔭᐅᑉᓗᑎᒃ ᖁᔭᓐᓇᒦᖅᑕᕗᑦ ᑕᒡ ᐊᒻᒪᓗ ᓗᐃᔅ ᓕᐊᑐᑎᐅᓪ ᐃᓚᕗᑦ ᐊᔪᕐᓇᙱᑎᒻᒪᔾᔪᒃ, ᖃᐅᒪᔪᕐᒧᐊᕆᐊᕐᕕᒃ ᐃᓚᐅᑉᓗᑎᒃ ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᒃ, ᑐᓂᓯᓯᒪᔪᓗᒃᑖᑦ ᐊᑐᖅᑕᐅᓕᖅᑐᓂᒃ ᖁᓕᕈᐊᖏᑦ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᖕᓇᖅᑐᒥᑦ, ᐊᒻᒪᓗ ᑕᒪᕐᒥᓗᒃᑖᖅ ᖃᐅᒪᔪᕐᒥᑦ ᐃᑲᔪᖃᑦᑕᖅᑐᑦ ᐊᒻᒪᓗ ᐱᔾᔪᑕᐅᔪᑦ ᒥᒃᓵᓄᑦ ᐱᓕᕆᖃᑎᒋᔭᐅᔪᑦ ᐃᓄᖕᓄᑦ ᓴᓇᙳᐊᖅᑎᓄᑦ ᑐᙵᕕᒃ.

ᖃᐅᒪᔫᑉ ᑕᑯᒃᓴᐅᔪᓄᑦ ᑐᖅᑯᖅᓯᒪᕝᕕᖓᑦ
ᒫᒃᓰᓐ ᐋᖑᒃ ᖃᐅᒪᔫᑉ ᖃᕆᑕᐅᔭᒃᑯᑦ ᐊᑐᖅᑕᐅᔪᖕᓇᖅᑐᖓᓐᓂᑦ
ᑲᓇᑕᒥᑦ ᑲᑎᒪᔩᑦ ᓴᓇᙳᐊᒐᓕᕆᔨᒃᑯᑦ

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ᑐᑭᓯᐅᒪᔾᔪᑎᒃᑲᓐᓂᕐᓂᒃ ᐱᔪᒪᒍᕕᑦ ᐅᕝᕙᓘᓐᓃᑦ ᐊᐱᖅᓱᖅᑕᐅᔪᒪᒍᕕᑦ, ᖃᐅᔨᒋᐊᕐᕕᒋᓗᒍ:
ᐊᐃᒥ ᕈᐃᐱᑲ ᕼᐃᐅᕆᓴᓐ

ᐃᓚᐅᖃᑕᐅᑎᑦᑎᓂᕐᒧᑦ ᐃᓱᒪᑕᕆᔭᐅᔪᖅ

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ᐅᐃᓂᐲᒡ ᓴᓇᙳᐊᒐᖃᕐᕕᒃ (WAG) ᖃᐅᒪᔪᖅ ᐱᖅᑯᓯᕆᔭᐅᔪᓂᒃ ᑭᒡᒐᖅᑐᐃᔪᖅ ᐊᑐᖅᖢᒋᑦ ᓴᓇᙳᐊᖅᑕᐅᔪᑦ ᑲᑎᑎᓐᓂᐊᕐᓗᒋᑦ, ᐱᒋᐊᕈᒪᑎᑦᑎᓗᓂ, ᐊᒻᒪᓗ ᑐᓴᐅᒪᑎᑦᑎᓗᓂ. ᐊᔾᔨᒌᙱᑦᑐᓂᒃ ᐱᓪᓗᕆᒃᑐᒥᒃ ᐱᓕᕆᐊᖃᖅᖢᑕ ᓄᓇᓕᖕᒥᑦ, ᐃᓕᑦᑎᑦᑎᕝᕕᐅᔪᒍᑦ, ᑐᕌᖓᔪᒧᑦ, ᐊᒻᒪᓗ ᖁᕕᐊᒋᔭᖃᕐᓂᕐᒧᑦ ᓴᓇᙳᐊᒐᕐᓂᑦ. ᐅᒃᑯᐃᓚᐅᖅᑐᖅ ᒫᑦᓯ 2021-ᒥᑦ, ᖃᐅᒪᔪᖅ ᑲᑎᑎᑦᑎᖃᑦᑕᖅᑐᖅ WAG-ᒧᑦ ᓇᓃᓐᓂᓗᒃᑖᓂᒃ, ᖁᕕᐊᒋᑉᓗᒋᑦ ᐊᖏᓛᖑᔪᑦ ᑭᑐᑐᐃᓐᓇᕐᓂᒃ ᑲᑎᖅᓱᒐᐃᑦ ᐅᑉᓗᒥᐅᔪᖅ ᓄᓇᕐᔪᐊᕐᒥᑦ ᐃᓄᖕᓄᑦ ᓴᓇᙳᐊᖅᑕᐅᓯᒪᔪᓂᑦ. ᓄᑖᖅ WAG-ᖃᐅᒪᔪᖅ ᐱᖅᑯᓯᓕᕆᕝᕕᒃ ᐊᖏᓛᖑᖃᑕᐅᓕᖅᑐᖅ ᓴᓇᙳᐊᖅᑕᐅᔪᓂᒃ ᑕᑯᔭᖃᕐᕕᐅᑉᓗᓂ ᑲᓇᑕᒥᑦ. ᐃᓕᑦᑎᒃᑲᓐᓂᕈᖕᓇᖅᑐᑎᑦ ᐅᕗᙵᕐᓗᑎᑦ


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