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Qaumajuq is the name for WAG Inuit art centre, new Indigenous names for spaces within

Free admission for Indigenous Peoples to begin with February 2021 opening

Winnipeg, Manitoba, Treaty 1 Territory, October 28, 2020: The Winnipeg Art Gallery is excited to announce that a circle of language keepers has given an Inuktitut name to what was formerly known as the Inuit Art Centre: Qaumajuq [HOW-ma-yourq or sometimes heard KOW-ma-yourk], meaning “It is bright, it is lit,” which celebrates the light that flows into the new building connected to the WAG.

This naming initiative is an important step on the WAG’s Indigenization journey, as is free admission for all Indigenous Peoples to WAG-Qaumajuq starting with the landmark opening, expected to launch in February 2021. It is the first time an Indigenous naming of this kind has occurred at a major art institution in Canada.

Guided by the WAG Indigenous Advisory Circle, the historic naming responds to the United Nations Declaration on the Rights of Indigenous Peoples Article 13 and the Truth and Reconciliation Commission of Canada’s Call to Action 14i, both of which reference the importance of Indigenous languages.

In addition to the new building and spaces within, the circle of language keepers representing Indigenous communities across Inuit Nunangat and Treaty 1 territory endowed the WAG building with an Anishinaabemowin name: Biindigin Biwaasaeyaah [BEEN- deh-gen Bi-WAH-say-yah], meaning “Come on in, the dawn of light is here” or “the dawn of light is coming.” The WAG will always be known as the Winnipeg Art Gallery, but the Biindigin Biwaasaeyaah name signifies the fundamental change that the WAG is undertaking—the dawn of light is coming, and Indigenous languages will always have a powerful presence throughout the WAG-Qaumajuq.

Quick Facts:

  • With the leadership of Dr. Julie Nagam and Dr. Heather Igloliorte, co-chairs of the WAG Indigenous Advisory Circle, a group of fluent Indigenous language keepers and Elders gathered virtually to share concepts and ideas and name the Inuit art centre in their languages. The names can all be heard at
  • Naming of spaces and language is specifically mentioned in UNDRIP Article 13 and TRC Call to Action 14i.
  • The language keepers represent all four regions of Inuit Nunangat, including Inuvialuit Settlement Region, Nunavut, Nunavik, and Nunatsiavut. Because the building is on Treaty 1 territory, it was also important to bring Anishinaabemowin and Nêhiyawêwin speakers, as well as Dakota and Michif (Metis) speakers to the table. Winnipeg is located on the unceded territory of the Dakota people and on the homeland of the Metis Nation.
  • Language keepers provided spellings based on their regional dialects, which may differ from other regional spellings and pronunciations within each language group.
  • The language circle includes EJ Fontaine, Marge Roscelli, Elder Verna Demontagny, Elder Eric Robinson, Taqralik Partridge, Krista Ulujuk Zawadski, Johnny Kasudluak, Katie E. Winters, Elder Dr. Mary Courchene, Theresie Tungilik, Holly Carpenter, Maggie Putulik, and Dr. Niigaan Sinclair.
  • Inuktitut (Inuit), Inuvialuktun (Inuit), Anishinaabemowin (Anishinaabe/Ojibway), Nêhiyawêwin (Ininiwak/Cree), Dakota (Dakota), and Michif (Metis) are all represented.
  • The WAG thanks the group for generously sharing their knowledge and time.
  • Starting with the February 2021 opening, admission to the WAG-Qaumajuq is free for all Indigenous Peoples.

About Qaumajuq:

  • Qaumajuq is the first art museum of its kind, bringing Inuit voices to the forefront, and dedicated to the art and culture of Inuit from Canada and beyond.
  • Qaumajuq will innovate the art museum, taking art from object to full sensory experience with Inuit-led programming, complementing and augmenting the cutting-edge art education that the WAG offers today.
  • The new 40,000-square-foot-building designed by Michael Maltzan Architecture with Cibinel Architecture will connect to the WAG on all four levels, providing stunning exhibition, learning and event spaces; a revamped shop; plus a new café on the main level in partnership with Circa Catering.
  • The central feature is a Visible Vault, showcasing thousands of carvings. The public is invited to support Qaumajuq by donating, or adopting a shelf on the Visible Vault (details at

“Qaumajuq will be a place for learning and fun and we would not be here without the dedication and support of the WAG Indigenous Advisory Circle. The language keepers and Elders came together in a powerful moment of cross-cultural reflection and relationship-building. This initiative is an act of decolonization, supporting reconciliation and Indigenous knowledge transmission for generations to come, in an effort to ensure WAG-Qaumajuq will be a home where Indigenous communities feel welcome—where everyone feels welcome. We can’t wait to unveil this new cultural landmark in the heart of the country with these new names honouring Indigenous voices and languages.”
—Dr. Stephen Borys, Director & CEO, Winnipeg Art Gallery

“We are excited about the transformation and naming of the WAG and the Inuit art centre, to continue the process of decolonization. We are thrilled to share the names of the spaces in the seven Indigenous languages of Manitoba and Inuit Nunangat. The Circle demonstrates the breadth of knowledge that represents the relationship to the collection and the buildings and it has been an incredible experience for all Circle members. We are so honoured to gift the institution with these new names that point to a new a path forward for galleries and museums in this country.”
—Dr. Heather Igloliorte and Dr. Julie Nagam, Co-Chairs of the Indigenous Advisory Circle, Winnipeg Art Gallery

Associated Links

Winnipeg Art Gallery
Livestream Recording

Stay Connected

Follow us on Facebook, Twitter, and Instagram #atwag #inuitartcentre #qaumajuq


For more information or to arrange interviews, please contact:

Amy Rebecca Harrison
Engagement Supervisor
Winnipeg Art Gallery

Amber O’Reilly
Engagement Officer
Winnipeg Art Gallery

The Winnipeg Art Gallery (WAG) is a cultural advocate using art to connect, inspire, and inform. Playing a dynamic role in the community, we are a place for learning, dialogue, and enjoyment through art. The WAG holds in trust the largest public collection of contemporary Inuit art in the world. To celebrate the art and to honour the Inuit, the WAG is building Qaumajuq, the Inuit art centre. Opening in February 2021, the centre will bridge Canada’s North and South through exhibitions, research, education, and art making. To learn more visit


ᖃᐅᒪᔪᖅ ᐊᑎᕆᔭᐅᖕᒪᑦ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᐃᓄᐃᑦ ᓴᓇᐅᒐᖏᑦ ᐱᓕᕆᕕᐊᓂ, ᓄᑖᖅ ᐊᑎᕆᔭᐅᓕᕐᑐᖅ ᐃᓂᒋᔭᐅᓗᓂ ᐃᒡᓗᕐᔪᐊᖓᓂᑦᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ

ᐊᑭᖃᔮᖏᑦᑐᖅ ᐃᓯᕈᑎᖓ ᓄᓇᖃᕐᑳᓯᒪᔪᑦ ᑭᒃᑯᑐᐃᓐᓇᐃᑦ ᐱᒋᐊᓕᕐᐸᑦ ᕕᕗᐊᕆ 2021 ᒪᒃᐱᕐᑕᐅᓕᕐᑎᓪᓗᒍ

ᕕᓂᐸᐃᒡ, ᒫᓂᑑᐸ, ᐊᖏᕈᑎ 1 ᓄᓇᖁᑎᒋᔭᐅᔪᓂᑦ, ᐅᒃᑑᕙ 28, 2020: ᑖᓇ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᐊᓕᐊᓇᐃᒍᓱᒃᑐᑦ ᑐᓴᕐᑎᑦᑎᔪᓐᓇᕐᓯᖕᒪᑕ ᐊᖕᒪᓗᕐᓯᓯᒪᔪᒥᑦ ᑲᑎᖃᑎᒌᖃᑦᑕᕐᑐᑦ ᐅᖃᐅᓯᓂᒃ ᐱᓯᒪᔨᐅᔪᑦ ᓴᕿᑦᑎᓚᐅᕐᒪᑕ ᐃᓄᒃᑎᑐᑦ ᐊᑎᑦᒥᒃ ᑕᐃᔭᐅᖃᑦᑕᓚᐅᕐᑐᒥᒃ ᐃᓄᐃᑦ ᓴᓇᐅᒐᖏᑦ ᐱᓕᕆᕕᐊᓂ: ᖃᐅᒪᔪᖅ [ᕼᐋ-ᒪ-ᔪᒃ], ᑐᑭᖃᕐᑐᖅ “ᖃᐅᒪᔪᖅ, ᐃᑯᒻᒪᒃᓯᒪᔪᖅ,” ᑐᑭᓯᐅᒪᓇᕐᓯᓪᓗᓂ ᖁᕕᐊᓱᒍᑎᒋᔭᐅᔪᖅ ᖃᐅᒪᔪᖅ ᐃᒫᒃ ᐃᖏᕋᔪᓐᓇᕐᓂᐊᕐᒪᑦ ᐃᓗᐊᓄᑦ ᓄᑖᖅ ᐃᒡᓗᕐᔪᐊᖅ ᐊᒃᑐᐊᔪᖅ ᑖᓱᒧᖓ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ.

ᑖᓐᓇ ᐊᑎᕐᓯᓂᖅ ᐊᑑᑎᖃᑦᑎᐊᕐᒪᑦ ᐱᒻᒪᕆᐅᓪᓗᓂᓗ ᐊᓪᓗᕈᑕᐅᔪᖅ ᑖᑯᓄᖓ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓱᓇᑯᑖᑯᕕᒃ ᐃᒡᓗᕐᔪᐊᖓᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᓕᕆᓂᖅ ᐃᖏᕋᓂᕆᖓᑦ, ᐊᑎᖃᔾᔮᖏᖢᓂᓗ ᑭᒃᑯᓕᒫᓄᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᓄᑦ ᑭᒃᑯᑐᐃᓐᓇᐃᑦ ᑕᕝᕗᖓ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ-ᖃᐅᒪᔪᖅ ᐱᒋᐊᕈᑎᒋᓗᓂᐅᒃ ᓇᓗᓇᐃᕐᓯᓪᓗᓂᓗ ᐅᑯᐃᕐᑕᐅᓕᕐᐸᑦ, ᓂᕆᐅᒋᔭᐅᔪᖅ ᐅᒃᑯᐃᕐᕕᒋᓂᐊᕐᑕᖓ ᕕᕗᐊᕆ 2021. ᓯᕗᓪᓕᕐᐹᑦᑎᐊᖑᖕᒪᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᐊᑎᕐᓯᓂᖅ ᑕᐃᒪᐃᑦᑐᒥᒃ ᓴᕿᑕᐅᓯᒪᔪᖅ ᑕᐃᑲᓂ ᐊᖏᔪᐊᓗᖕᒥᑦ ᐱᓕᕆᕕᐅᔪᒥᑦ ᓱᓇᑯᑖᑯᕕᒃ ᑲᓇᑕᒥᑦ.

ᑐᑭᒧᐊᒃᑕᐅᓪᓗᓂ ᑖᑯᓄᖓ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᐅᖃᐅᔾᔨᔨᖏᑦ ᑲᑎᖃᑦᑕᕐᑐᓂᑦ, ᐱᒻᒪᕆᐊᓗᖕᒪᑦ ᐊᑎᕐᓯᓂᐅᔪᖅ ᐊᐅᓚᔾᔭᒍᑕᐅᓪᓗᓂ ᑖᑯᓄᖓ ᑲᑐᔾᔨᖃᑎᒌᖑᔪᓄᑦ ᓄᓇᕐᔪᐊᓕᒫᒥᑦ ᐃᓕᓴᕆᔭᐅᕗᖅ ᑖᒃᑯᐊ ᐱᔪᓐᓇᐅᑎᖃᕐᓂᖏᓐᓂᒃ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᑭᒃᑯᑐᐃᓐᓇᐃᑦ ᑎᑎᕋᕐᑕᐅᓯᒪᔪᖅ ᐊᖏᕈᑎᓃᑦᑐᓂ 13 ᐊᒻᒪᓗ ᑖᑯᐊ ᓱᓕᔪᓂᒃ ᐊᒻᒪᓗ ᖃᓄᐃᖏᑦᑎᐊᕐᓂᕐᒧᑦ ᑲᑎᒪᔨᕐᔪᐊᖑᔪᑦ ᑲᓇᑕ ᑐᓴᕐᑕᐅᓚᐅᕐᒪᑦ ᐱᖑᕐᑎᑕᐅᖁᓕᕐᖢᒍ 14i, ᑕᒪᐃᓐᓂᒃ ᐅᖃᐅᓯᐅᓯᒪᓕᕐᒪᑦ ᐱᒻᒪᕆᐊᓘᓂᖓᓂᑦ ᐃᒪᐃᑦᑐᓄᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᐅᖃᐅᓯᖏᓐᓄᑦ.

ᐃᓚᒋᐊᑲᓐᓂᕐᖢᒍ ᓄᑖᖑᔪᒧᑦ ᐃᒡᓗᕐᔪᐊᒧᑦ ᐊᒻᒪᓗ ᐃᓂᒋᔭᐅᓪᓗᓂ ᐃᒡᓗᕐᔪᐊᖓᓂᑦ, ᑖᑯᐊ ᐊᖕᒪᓗᕐᓯᓯᒪᔪᒥᑦ ᑲᑎᖃᑎᒌᖃᑦᑕᕐᑐᑦ ᐅᖃᐅᓯᓂᒃ ᐱᓯᒪᔨᐅᔪᑦ ᑭᒡᒐᕐᑐᐃᖕᒪᑕ ᓄᓇᖃᕐᖄᓯᒪᔪ ᓄᓇᓕᖏᓐᓂᒃ ᑕᒪᐃᓐᓂᒃ ᐃᓄᐃᑦ ᓄᓇᖓᑦ ᐊᒻᒪᓗ ᐊᖏᕈᑎ 1 ᓄᓇᖁᑎᒋᔭᐅᔪᓂᑦ ᐃᓚᒋᔭᐅᔪᐃᓐᓇᐅᓂᖏᓐᓄᑦ ᑖᑯᐊ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᐃᒡᓗᕐᔪᐊᖑᓕᕐᑐᖅ ᐃᓚᖃᑲᓐᓂᕐᖢᓂ ᐃᒪᐃᑦᑐᒥᒃ ᐊᓂᔅᓈᕖᒨᕕᓐ-ᖔᕐᑐᒥᑦ ᐊᑎᖃᖃᑕᐅᓗᓂ: ᕖᓐᑎᒋᓐ ᕕᕚᓴᐃᔮ [ᕖᓐ-ᑎ-ᒋᓐ-ᕙᐃ-ᕚ-ᓰ-ᔮ], ᑐᑭᖃᕐᑐᖅ “ᐃᓯᑦᑎᐊᕆᑦ, ᖁᒻᒧᐊᓕᕐᒪᑦ ᑖᓐᓇ ᖃᐅᒪᔪᖅ” ᑎᑭᒻᒪᑦ” ᐅᕙᓘᓐᓃᑦ “ᖁᒻᒧᐊᓕᕐᒪᑦ ᑖᓐᓇ ᖃᐅᒪᔪᖅ ᑎᑭᓕᕐᒪᑦ.” ᑖᑯᐊ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓱᓇᑯᑖᑯᕕᑦ ᖃᐅᔨᒪᔭᐅᖏᓐᓇᐅᔭᕐᓂᐊᕐᑐᖅ ᐃᒪᐃᑦᑐᖅ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓱᓇᑯᑖᑯᕕᑦ, ᑭᓯᐊᓂ ᑖᓐᓇ ᕖᓐᑎᒋᓐ ᕕᕚᓴᐃᔮ ᐊᑎᖅ ᓇᓗᓇᐃᕐᓯᖕᒪᑦ ᑖᓱᒥᖓ ᐃᓚᖃᑦᑎᐊᕐᓂᖓᓄᑦ ᐊᓯᔾᔨᕈᑎᒋᔭᐅᔪᒥᑦ ᑖᑯᓄᖓ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓱᓇᑯᑖᑯᕕᑦ ᐊᖏᕈᑎᒋᓯᒪᔭᖏᓐᓄᑦ – ᖁᒻᒧᐊᓕᕐᒪᑦ ᑖᓐᓇ ᖃᐅᒪᔪᖅ” ᑎᑭᓕᕐᒪᑦ, ᐊᒻᒪᓗ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᐅᖃᐅᓯᖏᑦ ᓴᖏᓂᖃᐃᓐᓇᐅᔭᕐᓂᐊᕐᑐᑦ ᑕᕝᕙᓂ ᑕᒪᐃᓐᓂᒃ ᐅᕙᓂ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ-ᖃᐅᒪᔪᖅ.

ᓇᐃᑦᑑᓗᒋᑦ ᓱᓕᔪᑦ:

  • ᓯᕗᒧᐊᒃᑎᑕᐅᓪᓗᓂ ᑖᓱᒧᖓ ᓘᒃᑖᑦ ᔪᓕ ᓇᒐᒻ ᐊᒻᒪᓗ ᕼᐊᐃᑕ ᐃᒡᓗᓕᐅᕐᑎ, ᑐᒡᓕᐊ-ᐃᒃᓯᕙᐅᑕᖅ ᐅᑯᓄᖓ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᐅᖃᐅᔾᔨᔨᖏᑦ ᑲᑎᖃᑦᑕᕐᑐᓂᑦ, ᑖᒃᑯᐊ ᑲᑎᖃᑦᑕᕐᑐᑦ ᐅᖃᓪᓚᒍᓐᓇᕐᒪᑕ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᐅᖃᐅᓯᖏᓐᓂᒃ ᐱᓯᒪᔨᐅᔪᑦ ᐊᒻᒪᓗ ᐃᓄᑐᖃᐃᑦ ᑲᑎᖃᑕᐅᓚᐅᕐᒪᑕ ᖃᕋᓴᐅᔭᒃᑯᑦ ᐅᖃᖃᑎᒌᒃᖢᑎᒃ ᖃᓄᐃᓕᖓᓂᕆᓇᔭᕐᑕᖓ ᐊᒻᒪᓗ ᐃᓱᒪᒋᔭᐅᔪᑦ ᐊᒻᒪᓗ ᐊᑎᕐᑖᑎᑕᐅᓗᓂ ᐃᓄᐃᑦ ᓴᓇᐅᒐᖏᑦ ᐱᓕᕆᕕᐊᓂ ᐅᖃᐅᓯᖏᑦᑎᒍᑦ. ᑖᑯᐊ ᐊᑏᑦ ᑐᓴᕐᑕᐅᔪᓐᓇᕐᑐᓕᒫᑦ ᖃᕋᓴᐅᔭᒃᑯᑦ
  • ᐊᑦᑎᕐᓯᓂᖅ ᐆᒥᖓ ᐃᓂᒋᔭᐅᓗᓂ ᐊᒻᒪᓗ ᐅᖃᐅᓯᖅ ᑐᑭᓯᓇᕐᒪᑦ ᐅᖃᕐᑕᐅᑎᓪᓗᒍ ᐅᕙᓂ ᑲᑐᔾᔨᖃᑎᒌᖑᔪᓄᑦ ᓄᓇᕐᔪᐊᓕᒫᒥᑦ ᐃᓕᓴᕆᔭᐅᕗᖅ ᑖᒃᑯᐊ ᐱᔪᓐᓇᐅᑎᖃᕐᓂᖏᓐᓂᒃ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᑭᒃᑯᑐᐃᓐᓇᐃᑦ ᑎᑎᕋᕐᑕᐅᓯᒪᔪᖅ ᐊᖏᕈᑎᓃᑦᑐᓂ 13 ᐊᒻᒪᓗ ᑖᑯᐊ ᓱᓕᔪᓂᒃ ᐊᒻᒪᓗ ᖃᓄᐃᖏᑦᑎᐊᕐᓂᕐᒧᑦ ᑲᑎᒪᔨᕐᔪᐊᖑᔪᑦ ᑐᓴᕐᑕᐅᓚᐅᕐᒪᑦ ᐱᖑᕐᑎᑕᐅᖁᓕᕐᖢᒍ 14i.
  • ᑖᒃᑯᐊ ᐅᖃᐅᓯᓂᒃ ᐱᓯᒪᔨᐅᔪᑦ ᑭᒡᒐᕐᑐᐃᔨᐅᔪᑦ ᑕᒪᐃᓐᓂᒃ ᑎᓴᒪᑦ ᑭᒡᓕᓕᐅᕐᓯᒪᔪᓂᑦ ᐅᑯᓇᖓᑦ ᐃᓄᐃᑦ ᓄᓇᖓᑦ, ᐃᓚᒋᔭᐅᔪᑦ ᐃᓄᕕᐊᓗᐃᑦ ᓄᓇᓕᖏᑦ ᑭᒡᓕᓕᐅᕐᓯᒪᔪᓂᑦ, ᓄᓇᕗᑦ, ᓄᓇᕕᒃ, ᐊᒻᒪᓗ ᓄᓇᑦᓯᐊᕗᑦ. ᐱᔾᔪᑎᒋᓪᓗᒍ ᑖᓐᓇ ᐃᒡᓗᕐᔪᐊᖅ ᐃᓂᒋᔭᖓ ᐊᖏᕈᑎ 1 ᓄᓇᖁᑎᒋᔭᐅᔪᓂᑦ, ᐊᒻᒪᓗ ᐱᒻᒪᕆᐅᖕᒪᑦ ᐃᓚᐅᖃᑕᐅᓗᑎᒃ ᐊᓂᔅᓈᕖᒨᕕᓐ ᐊᒻᒪᓗ ᓂᕼᐊᐃᔭᕕᐃᕕᓐ ᐅᖃᐅᓯᖏᑎᒍᑦ, ᐃᓚᐅᖃᑕᐅᒋᓪᓗᑎᒃ ᑎᑯᑕ ᐊᒻᒪᓗ ᒪᐃᓯᕕ (ᐊᓪᓚᖓᔪᐃᑦ) ᐅᖃᐅᓯᖏᑎᒍᑦ ᐃᓚᐅᖃᑕᐅᓗᑎᒃ. ᕕᓂᐸᐃᒡ ᐃᓂᒋᔭᖓ ᒐᕙᒪᓄᐊᕐᑕᐅᓯᒪᖏᒻᒪᑦ ᑭᒡᓕᓕᐊᕆᓯᒪᔭᖓ ᐅᑯᓇᓃᑦᑐᓂ ᑎᑯᑕᒥᐅᑕᐅᔪᓄᑦ ᐊᒻᒪᓗ ᐊᖏᕋᕆᔭᐅᖕᒪᑦ ᐅᑯᓄᖓ ᐊᓪᓚᖓᔪᐃᑦ ᐅᖃᐅᓯᖃᑎᒌᒃᑐᓄᑦ.
  • ᑖᒃᑯᐊ ᐅᖃᐅᓯᓂᒃ ᐱᓯᒪᔨᐅᔪᑦ ᐱᔪᓐᓇᕐᑎᑎᓚᐅᕐᒪᑕ ᑎᑎᕋᑦᑎᐊᕐᓯᒪᔪᓂᒃ ᑐᖓᕕᖃᕐᖢᑎᒃ ᐊᔾᔨᒌᖏᓐᓂᖏᑦᑐᓂᒃ ᐅᖃᐅᓯᓖᑦ, ᐊᒦᓲᓂᖏᓐᓄᑦ ᐊᔾᔨᒌᖏᑐᑦ ᐅᑯᓇᖓᑦ ᑭᒡᓕᓕᕇᒃᑐᓂ ᑎᑎᕋᐅᓯᖏᑎᒍᑦ ᐊᒻᒪᓗ ᑕᐃᔭᐅᑦᑎᐊᕐᓂᕆᔭᖏᑦ ᑖᑯᓇᖓᑦ ᓇᖕᒥᓂᑦ ᐅᖃᐅᓯᖃᑎᒌᖏᑦᑐᑦ ᑲᑎᓯᒪᓂᕆᔭᖏᑦ.
  • ᑖᒃᑯᐊ ᑲᑎᖃᑎᒌᖃᑦᑕᕐᑐᑦ ᐅᖃᐅᓯᓂᒃ ᐅᑯᐊᖑᔪᑦ ᐃᔭᐃ ᕗᐊᓐᑏᓐ, ᒫᔨ ᕈᔅᓯᓕ, ᕗᓇ ᑎᒧᐊᓐᑎᒡᓇᐃ, ᐃᐅᓕᒃ ᕌᐱᓐᓴᓐ, ᑕᖅᕋᓕᒃ ᐸᑐᓕᔾ, ᑯᕆᔅᑕ ᐅᓗᔪᒃ ᓴᕙᑕᔅᑭ, ᒫᒋ ᐳᑐᓕᒃ, ᔮᓂ ᑲᓱᑦᓗᐊᒃ, ᑲᐃᑎ ᐃ. ᕕᓐᑐᔅ, ᓘᒃᑖᖅ ᒥᐊᓕ ᑯᕐᓯᐃᔨᓐ, ᑎᕆᓯ ᑐᖏᓕᒃ, ᕼᐊᓕ ᑲᕐᐱᓐᑕ, ᐊᒻᒪᓗ ᓘᒃᑖᖅ ᓃᖔᓐ ᓯᑎᓕᐊᕐ.
  • ᐃᓄᒃᑎᑐᑦ (ᐃᓄᐃᑦ), ᐃᓄᕕᐊᓗᒃᑐᓐ (ᐃᓄᐃᑦ), ᐊᓂᔅᓈᕖᒨᕕᓐ (ᐊᓂᔅᓈᐱᒧᕕᓐ/ᐅᔾᔨᑉᕙᐃ), ᓂᕼᐊᐃᔭᕕᐃᕕᓐ (ᐃᓂᓂᕙᒃ/ᑯᕇ), ᑕᑯᑕ (ᑕᑯᑕ), ᐊᒻᒪᓗ ᒪᐃᓯᕕ (ᐊᓪᓚᖓᔪᐃᑦ) ᑕᒪᐃᓐᓂᒃ ᑭᒡᒐᕐᑐᕐᑕᐅᔪᑦ.
  • ᑖᑯᐊ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᖁᔭᓕᔪᑦ ᑖᑯᓂᖓ ᑲᑎᖃᑦᑕᕐᑐᑦ ᑐᓂᓯᔪᓐᓇᑦᑎᐊᓚᐅᕐᒪᑕ ᐊᑑᑎᖃᑦᑎᐊᕐᑐᒥᒃ ᖃᐅᔨᒪᓂᕆᔭᖏᓐᓂᒃ ᐊᒻᒪᓗ ᐃᓚᐅᔪᓐᓇᓚᐅᕐᒪᑕ.
  • ᐱᒋᐊᕐᓗᒍ ᐅᓇᐅᓕᕐᐸᑦ ᕕᕗᐊᕆ 2021 ᒪᒃᐱᕐᑕᐅᓕᕐᑎᓪᓗᒍ, ᐃᓯᕈᑏᑦ ᑕᕝᕗᖓ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ-ᖃᐅᒪᔪᖅ ᐊᑭᖃᔾᔮᖏᑦᑐᖅ ᑭᒃᑯᓕᒫᑦᑎᐊᓄᑦ ᓄᓇᖃᕐᖄᓯᒪᔪᓄᑦ.

ᖃᓄᐃᒃᑑᓂᕆᔭᖓ ᖃᐅᒪᔪᖅ:

  • ᖃᐅᒪᔪᖅ ᓯᕗᓪᓕᕐᐹᑦᑎᐊᖑᖕᒪᑦ ᓴᓇᐅᒐᓂᒃ ᓱᓇᒃᑯᑖᑯᕕᒃ ᐊᔾᔨᒋᔭᐅᓇᓂᓗ, ᓴᕿᑦᑎᓪᓗᓂ ᐃᓄᐃᑦ ᓂᐱᖏᓐᓂᒃ ᓯᕗᓕᐅᓕᕐᒪᑦ, ᐊᒻᒪᓗ ᐱᓯᒪᒃᓯᔨᐅᓂᐊᕐᒪᑦ ᐅᑯᓂᖓ ᓴᓇᐅᒐᓂᒃ ᐊᒻᒪᓗ ᐃᓕᖁᓯᖏᓐᓂ ᐃᓄᐃᒃ ᑲᓇᑕᒥᖔᕐᑐᓂᒃ ᐊᒻᒪᓗ ᐅᖓᑖᓄᑦ.
  • ᖃᐅᒪᔪᖅ ᐱᕈᕐᐸᓪᓕᐊᓂᐊᕐᒪᑦ ᐅᒥᖓ ᓴᓇᐅᒐᓂᒃ ᓱᓇᒃᑯᑖᑯᕕᒃ, ᐱᕙᓪᓕᐊᓗᒋᑦ ᓴᓇᐅᒐᐃᑦ ᐅᑯᓇᖓᑦ ᓴᕿᔮᕐᑐᓂᒃ ᐅᑯᓄᖓ ᑕᒪᐃᓐᓂᒃ ᐃᒃᐱᒋᔭᐅᔪᓐᓇᕐᖢᑎᒃ ᐃᓚᐅᖃᑕᐅᔪᓐᓇᓕᕐᖢᑎᒃ ᐃᓚᒋᓪᓗᒋᑦ ᐃᓄᐃᑦ-ᓯᕗᓕᐅᕐᑐᑦ ᓴᕿᑕᐅᕙᓪᓕᐊᓂᐊᕐᑐᓂᒃ, ᐱᐊᓂᒍᑎᒋᑦᑎᐊᕐᑕᖓ ᐊᒻᒪᓗ ᐊᖏᓕᒋᐊᕐᑎᑦᑎᖕᒪᑦ ᐅᒥᖓ ᓯᕗᓕᐅᕐᑐᖅ-ᐱᐅᓂᕐᐹᖏᓐᓂᒃ ᓴᓇᐅᒐᓂᒃ ᐃᓕᓐᓂᐊᕐᓂᖅ ᑖᒃᑯᐊᖑᔪᑦ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᐱᑕᖃᓕᕐᑐᖅ ᐅᓪᓗᒥ.
  • ᑖᓐᓇ ᓄᑖᖅ 40,000-ᑭᑉᐹᕆᒃᑐᑦ-ᐃᓯᒐᑦ-ᐃᒡᓗᕐᔪᐊᖅ ᐸᕐᓇᒃᑕᐅᓚᐅᕐᑐᖅ ᐆᒪ ᒪᐃᑯ ᒪᓪᓴᓐ ᐃᒡᓗᕐᔪᐊᓕᐅᕐᑎ ᐊᐃᑉᐸᕆᓪᓗᒍ ᓴᐃᐱᓇᐃᓪ ᐃᒡᓗᕐᔪᐊᓕᐅᕐᑎ ᑲᑎᖓᓂᐊᕐᒪᒍ ᑖᒃᑯᐊ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᐅᑯᐊ ᑎᓴᒪᑦ ᖁᓕᕇᑦ, ᐱᑕᖃᕐᓂᐊᕐᒪᑦ ᐱᐅᔪᒻᒪᕆᐊᓗᖕᓂᑦ ᓴᕿᐅᒪᑎᑕᐅᔪᓂᒃ, ᐃᓕᓐᓂᐊᕐᕕᒋᔭᐅᓂᐊᕐᑐᒥ ᐊᒻᒪᓗ ᖃᓄᐃᓕᐅᕐᕕᒃ ᐃᓗᐊᓂ; ᐱᐅᓯᒋᐊᕐᓯᒪᓗᓂ ᓂᐅᕕᕐᕕᒃ; ᐃᓚᖃᕐᓗᒍ ᓄᑖᒥᒃ ᑳᐱᑐᕐᕕᒃ ᐃᓯᕐᕕᒃ ᓇᑎᕆᔭᖓᓂᑦ ᐱᓕᕆᖃᑎᒋᓪᓗᒋᑦ Circa Catering (ᓯᐅᑕ ᓂᕆᔭᒃᓴᓕᕆᔨᑦ).
  • ᑖᓐᓇ ᐱᐅᓯᕆᓂᐊᕐᑕᖓ ᓴᕿᔮᑦᑎᐊᕐᓗᓂ ᐊᕙᓗᓯᒪᓗᓂ, ᓴᕿᔮᕐᑎᑕᐅᓂᐊᕐᑐᑦ ᑕᐅᓴᓂ ᓴᓇᖑᐊᕐᑕᐅᓯᒪᔪᓂᒃ. ᑖᒃᑯᐊ ᑭᒃᑯᑐᐃᓐᓇᐃᑦ ᑐᖓᓱᒃᑕᐅᔪᑦ ᐃᑲᔪᕐᓂᒃᑯᑦ ᖃᐅᒪᔪᖅ ᐃᒪᐃᑦᑐᑯᑦ ᑐᓂᓯᓗᑎᒃ, ᐅᕙᓘᓐᓃᑦ ᐱᖃᖃᑕᐅᔪᓐᓇᕐᑐᑦ ᖁᓕᕈᐊᒥᒃ ᑕᐃᑲᓂ ᓴᕿᔮᑦᑎᐊᕐᓗᓂ ᐊᕙᓗᓯᒪᓗᓂ (ᓇᓗᓇᐃᔭᕐᓯᒪᓂᖏᑦ ᖃᕋᓴᐅᔭᒃᑯᑦ

“ᖃᐅᒪᔪᖅ ᐃᓂᒋᔭᐅᓂᐊᕐᒪᑦ ᐃᓕᓐᓂᐊᕐᕕᒋᔭᐅᓗᓂ ᐊᒻᒪᓗ ᖁᕕᐊᓇᕐᓗᓂ ᐊᒻᒪᓗ ᐅᕙᒍᑦ ᑕᕙᓃᓇᔭᖏᑦᑐᒍᑦ ᐱᑕᖃᓚᐅᖏᑉᐸᑦ ᐅᑯᐊ ᐃᓇᒋᔭᐅᖏᓐᓇᕐᑐᑦ ᐊᒻᒪᓗ ᐃᑲᔪᕐᐸᒃᑐᑦ ᐅᒥᖓ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᐅᖃᐅᔾᔨᔩᑦ ᐊᖕᒪᓗᕐᓯᓯᒪᔪᒥᑦ. ᑖᒃᑯᐊ ᐅᖃᐅᓯᓂᒃ ᐱᓯᒪᔨᐅᔪᑦ ᐊᒻᒪᓗ ᐃᓄᑐᖃᐃᑦ ᑲᑎᖃᑎᒌᓚᐅᕐᒪᑕ ᐃᒃᐱᒍᓱᕐᔪᐊᓚᐅᕐᑐᑦ ᐃᑳᕐᑐᖅ-ᐃᓕᖁᓯᑐᖃᖅ ᕿᒥᕈᓪᓗᒍ ᐊᒻᒪᓗ ᐃᓚᒌᖕᓂᕐᒧᑦ-ᐱᕈᕐᐸᓪᓕᐊᓂᖅ. ᑖᓐᓇᐅᔪᖅ ᐱᒋᐊᕐᓂᕆᔭᐅᖕᒪᑦ ᐊᓯᔾᔩᖕᒪᑦ ᐅᒥᖓ ᒪᑭᑕᔪᓐᓇᕐᓂᕐᒥᑦ, ᐃᑲᔪᕐᖢᒍ ᐃᓇᒌᑦᑎᐊᓕᕐᓂᕐᒧᑦ ᐊᒻᒪᓗ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᖃᐅᔨᒪᔭᑐᖃᖏᑦ ᑐᓴᐅᒪᔭᐅᑎᑦᑎᓂᐊᓕᕐᒪᑦ ᐅᑯᓄᖓ ᑭᓇᑯᓕᒫᑦᑎᐊᓄᑦ ᓯᕗᓂᑦᑎᓐᓂ, ᐱᒋᐊᕈᑎᒋᔭᕗᑦ ᐱᓯᒪᔭᐅᑦᑎᐊᕐᓗᓂ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ-ᖃᐅᒪᔪᖅ ᐊᖏᕈᕆᔭᐅᓂᐊᕐᒪᑦ ᑕᐃᒪᐃᒪᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᓄᓇᓕᖏᑦ ᑐᖓᓱᑦᑎᐊᖁᓪᓗᒋᑦ – ᑕᐃᒪᐃᒪᑦ ᑭᒃᑯᓕᒫᑦᑎᐊᑦ ᑐᖓᓱᑦᑎᐊᕐᓂᐊᕐᒪᑕ. ᐅᕙᒍᑦ ᐅᑕᕿᑦᑎᐊᕋᓱᒃᑐᒍᑦ ᓴᕿᑕᐅᓕᕐᐸᑦ ᑖᓐᓇ ᐃᓕᖁᓯᑐᖃᑦ ᓄᓇᖑᕐᑎᑦᑎᖕᒪᑦ ᐅᕙᓂ ᐅᒪᑎᖓᓂ ᓄᓇᓕᕐᔪᐊᓂ ᐃᓚᐅᓗᑎᒃ ᐅᑯᐊ ᓄᑖᑦ ᐊᑎᕆᔭᐅᓂᐊᓕᕐᑐᑦ ᖁᕕᐊᓱᖃᑎᒋᑦᑎᐊᕐᑕᕗᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᓂᐱᖏᑦ ᐊᒻᒪᓗ ᐅᖃᐅᓯᖏᑦ.”
– ᓘᒃᑕᖅ. ᓯᑎᕙᓐ ᐳᕆᐃᔅ, ᑐᑭᒧᐊᒃᑎ ᐊᒻᒪᓗ ᖁᑦᑎᖕᓂᕐᐹᓂ ᑐᑭᒧᐊᒃᑎ ᐃᓱᒪᑕᖅ, ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᑦ ᓴᕿᔮᕐᕕᖓᓂᑦ.

“ᐅᕙᒍᑦ ᖁᕕᐊᓱᑦᑎᐊᕐᑐᒍᑦ ᐱᔾᔪᑎᒋᓪᓗᒍ ᑖᓐᓇ ᐊᓯᔾᔩᓯᖕᒪᑦ ᐊᒻᒪᓗ ᐊᑎᕐᓯᓂᖅ ᑖᓱᒥᖓ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ-ᖃᐅᒪᔪᖅ ᐊᒻᒪᓗ ᑖᓐᓇ ᐃᓄᐃᑦ ᓴᓇᐅᒐᓂᒃ ᐱᓕᕆᕕᐊᓂ, ᑲᔪᓯᖁᓪᓗᒍ ᐱᓕᕆᐊᖑᕙᓪᓕᐊᓂᐊᕐᑐᓂᒃ ᒪᑭᑕᔪᓐᓇᕐᓂᕐᒥᑦ. ᐅᕙᒍᑦ ᐊᓕᐊᓇᐃᒍᓱᑦᑎᐊᕐᑐᒍᑦ ᐊᑑᑎᖃᑦᑎᐊᕐᑐᒥᒃ ᑖᒃᑯᐊ ᐊᑏᑦ ᐅᕙᓃᑦᑐᑦ ᐃᓂᒋᔭᐅᔪᓂᑦ ᑎᓴᒪᐅᔪᓐᖏᒑᕐᑐᑦ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᐅᖃᐅᓯᖏᑦ ᑕᐃᑲᓂ ᒪᓂᑑᐸ ᐊᒻᒪᓗ ᐃᓄᐃᑦ ᓄᓇᖓᑦ. ᑖᑯᐊ ᐊᖕᒪᓗᕐᓯᓯᒪᔪᑦ ᓴᕿᐅᒪᑎᑎᑦᓕᕐᒪᑕ ᑖᑯᐊ ᐊᖏᓕᒋᐊᕐᑎᑦᑎᓗᑎᒃ ᖃᐅᔨᒪᔭᑐᖃᕐᓂᒃ ᐅᓇ ᑭᒐᕐᑐᐃᔪᖅ ᑖᑯᐊ ᐃᓚᒌᖕᓂᖅ ᐅᒧᖓ ᑖᓐᓇ ᑲᑎᕐᓱᐃᓂᖅ ᐊᒻᒪᓗ ᑖᑯᐊ ᐃᒡᓗᕐᔪᖁᑦ ᐊᒻᒪᓗ ᐃᒪᐃᑦᑑᓚᐅᕐᒪᑦ ᖁᕕᐊᓇᑦᑎᐊᕐᑐᒥ ᐊᑐᓚᐅᕋᑦᑕ ᐅᑯᓄᖓᓕᒫᑦᑎᐊᖅ ᐊᖕᒪᓗᕐᓯᓯᒪᔪᖅ ᐃᓚᒋᔭᐅᔪᓄᑦ. ᐅᕙᒍᑦ ᐊᓕᐊᓇᐃᒍᓱᑦᑎᐊᕋᑦᑕ ᖁᕕᐊᓱᖃᑎᒋᑦᑎᐊᕐᑕᕗ ᑐᓐᓂᖁᓯᐊᖑᔪᒥᑦ ᐱᓕᕆᕕᐅᔪᒥᑦ ᐃᒪᒋᔭᐅᓪᓗᑎᒃ ᐅᑯᐊ ᓄᑖᖑᔪᑦ ᐊᑏᑦ ᑎᒃᑯᐊᑦᑎᐊᕐᒪᑕ ᐅᕗᖓ ᓄᑖᒧᑦ ᐊᖁᑎᐅᓂᐊᓕᕐᑐᒧᑦ ᓯᕗᒧᐊᒡᓗᓂ ᐅᑯᓄᖓ ᓱᓇᑯᑖᑯᕕᖕᓄᑦ ᐊᒻᒪᓗ ᓱᓇᑯᑖᒃᑯᕕᒃ ᑕᕙᓂ ᓄᓇᓕᕐᔪᐊᓂ.”
– ᓘᒃᑖᖅ ᕼᐊᐃᑕ ᐃᒡᓗᓕᐅᕐᑎ, ᐊᒻᒪᓗ ᓘᒃᑖᑦ ᔪᓕ ᓇᒐᒻ, ᑐᒡᓕᐊ-ᐃᒃᓯᕙᐅᑕᖅ ᐅᑯᓄᖓ ᓄᓇᖃᕐᖄᕐᓯᒪᔪᑦ ᐅᖃᐅᔾᔨᔨᖏᑦ ᐊᖕᒪᓗᕐᓯᓯᒪᔪᒥᑦ, ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ

ᐃᓚᒋᔭᐅᔪᑦ ᑲᑎᖓᓂᖏᑦ

ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ
ᖃᕋᓴᐅᔭᒃᑯᑦ ᓂᐱᓕᐅᕐᓯᒪᔪᖅ

ᑖᑯᓇᓂ ᐃᓚᐅᖃᑕᐅᒋᑦ

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ᑐᑭᓯᒋᐊᑲᓐᓂᕈᒪᒍᕕᑦ ᐅᕙᓘᓐᓃᑦ ᐋᕿᒃᓯᔪᒪᒍᕕᑦ ᐊᐱᕐᓱᕐᑕᐅᓂᕐᒧᑦ, ᐅᖃᐅᑎᔪᓐᓇᕐᑕᑎᑦ:

ᐃᒥ ᕆᐱᑲ ᕼᐊᕆᓴᓐ
ᐃᓂᓕᐅᕐᑕᐅᔪᓂ ᖃᐅᔨᓴᕐᑎ
ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ

ᐋᒻᐳ ᐅᕋᐃᓕ
ᐃᓂᓕᐅᕐᑕᐅᔪᓂ ᐱᓕᕆᔨᒻᒪᕆᐅᔪᖅ
ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ

ᑖᑯᐊ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ (WAG) ᐃᓕᖁᓯᑐ ᖃᕐᓂᑦ ᐅᖃᕐᑎᐅᔪᖅ ᐊᑐᕐᖢᓂᔾᔪᒃ ᓴᓇᐅᒐᐃᑦ ᑲᑎᖃᑦᑕᕐᓂᐊᕐᒪᑕ, ᑕᑯᒥᓇᕿᓂᐊᕐᒪᑕ, ᐊᒻᒪᓗ ᑐᓴᐅᒪᔭᐅᑦᑎᐊᕐᓂᐊᕐᒪᑕ. ᐱᓕᕆᖃᑕᐅᑦᑎᐊᖃᑦᑕᕐᒪ ᓴᕿᔮᑦᑎᐊᕐᑐᓂᒃ ᓄᓇᓕᖕᓂᑦ, ᐃᓕᓐᓂᐊᕐᕕᐅᔪᓐᓇᕐᑐᒍᑦ, ᑎᑎᕋᕐᕈᓐᓇᕐᑐᒍᑦ, ᐊᒻᒪᓗ ᐃᖃᓇᐃᔭᕐᓂᖅ ᓴᓇᐅᒐᓕᕆᓂᒃᑯᑦ. ᑖᓐᓇ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᑎᒍᒥᐊᕐᑐᖅ ᐳᒃᐱᕆᔭᐅᓪᓗᓂᓗ ᐊᒥᓱᓂᒃ ᓇᑭᑐᐃᓐᓇᖅ ᑲᑎᑕᐅᓯᒪᔪᓂᒃ ᓚᓐᓇᐅᔪᖅ ᐃᓄᐃᑦ ᓴᓇᐅᒐᐃᑦ ᓄᓇᕐᔪᐊᓕᒫᒥᑦ. ᓇᓪᓕᐅᕐᓂᕐᓯᐅᕐᓗᒍ ᓴᓇᐅᒐᓕᕆᓂᖅ ᐊᒻᒪᓗ ᖁᕕᐊᓱᖃᑎᒋᕙᔅᓯ ᑖᑯᐊ ᐃᓄᐃᑦ; ᑖᑯᐊ ᕕᓂᐸᐃᒡ ᓴᓇᐅᒐᓂᒃ ᓴᕿᔮᕐᕕᖓᓂᑦ ᐱᕈᕐᐸᓪᓕᐊᓕᕐᒪᑦ ᖃᐅᒪᔪᖅ, ᑖᑯᐊ ᐃᓄᐃᑦ ᓴᓇᐅᒐᓂᒃ ᐱᓕᕆᕕᐅᔪᖅ. ᒪᒃᐱᕐᑕᐅᓕᕐᑎᓪᓗᒍ ᕕᕗᐊᕆ 2021, ᑖᓐᓇ ᐱᓕᕆᕕᐅᔪᖅ ᐃᑳᕐᕕᖃᕐᓂᐊᓕᕐᒪᑦ ᑲᓇᑕᐅᑉ ᐅᑭᐅᕐᑕᕐᑐᖓᓂᑦ ᐊᒻᒪᓗ ᓂᒋᕐᒥᑦ ᐃᒪᐃᑦᑐᒃᖁᑦ ᓴᕿᔮᕐᑎᑦᑎᓂᒃᑯᑦ, ᑐᑭᓯᐅᒪᑦᑎᐊᕐᓂᒃᑯᑦ, ᐃᓕᓐᓂᐊᕐᓂᒃᑯᑦ, ᐊᒻᒪᓗ ᓴᓇᐅᒐᓂᒃ ᓴᓇᓂᕐᒥᒃ. ᑐᑭᓯᑲᓐᓂᕈᒪᒍᕕᑦ ᐊᒥᓱᑲᓐᓂᕐᓂᒃ ᐅᒡᓚᕈᓐᓇᕐᑐᑎᑦ


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WAG-Qaumajuq recognizes that land acknowledgements are part of an ongoing dialogue with Indigenous Nations, and we are grateful to live and work on these lands and waters. Institutionally, WAG-Qaumajuq is committed to acknowledging our colonial history and we are actively working to interrogate the Gallery’s colonial ways of being.

WAG-Qaumajuq is LEED certified.

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Winnipeg Art Gallery—Qaumajuq
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