Skip to main content
On Now
Care is not neutral—Carrie Allison rethreads land, labour, and colonial history.

we tend to care is a touring exhibition by multidisciplinary artist Carrie Allison presented in partnership with Urban Shaman Contemporary Art. The installation unfolds across both venues with a show at Urban Shaman and an intervention at WAG-Qaumajuq’s permanent collection galleries.

At WAG-Qaumajuq, we tend to care is displayed in the exhibition Collection on View: European and North American Art, 1500-1900. Positioned centrally within the space, Allison’s beaded artwork deliberately disrupts the linear, chronological narrative of canonical art history. This exhibition-within-an-exhibition functions as a site of engagement with the historical collection, articulating a critique of the colonial ideologies that have shaped dominant understandings of grass, land, and cultivated green spaces.

Allison’s artwork ranges from intimate engagements with Allison’s family and territory, replacing extractive botanical sketches with portraits of kin, to speculative, and even nihilistic, digital interpretations of what may emerge if colonial logics persist. Through the labour- and time-intensive act of beading, Allison draws a parallel to the effort required to maintain lawns, gardens, and yards. In doing so, she critiques the colonial logics of subjugation and control imposed upon the land.

About the artist

Carrie Allison

My name is Carrie Allison (nêhiýaw/Métis/mixed European descent). I am a multidisciplinary visual artist based in K’jipuktuk, Mi’kma’ki (Halifax, Nova Scotia). My Métis and nêhiýaw family names are: Beaudry, Surprenant, Noskeye, and Payiw; my maternal roots and relations are based in and around maskotewisipiy (High Prairie, Alberta), Treaty 8. I hold a Master in Fine Art, a Bachelor in Art History, and a Bachelor in Fine Art from the Nova Scotia College of Art and Design University. My work has been exhibited nationally and internationally. I was the 2020 recipient of the Melissa Levin Award from the Textile Museum of Canada and was long listed for the 2024 and 2021 Sobey Art Award.

Presented in partnership with

WAG-Qaumajuq recognizes that land acknowledgements are part of an ongoing dialogue with Indigenous Nations, and we are grateful to live and work on these lands and waters. Institutionally, WAG-Qaumajuq is committed to acknowledging our colonial history and we are actively working to interrogate the Gallery’s colonial ways of being.

WAG-Qaumajuq is LEED certified.

WAG - Winnipeg Art Gallery Outline
Winnipeg Art Gallery—Qaumajuq
300 Memorial Blvd
Winnipeg, MB
204.786.6641 // Gallery
204.789.1769 // Shop
Email Us
Wed // 11am-9pm
Thurs-Sun // 11am–5pm
Closed Mondays & Tuesdays