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Jun 29, '19 - Jan 5, '20
Winnipeg’s North End occupies roughly 12-square kilometers built around the central Main Street artery north of the city’s vast urban railyards.

In the early 20th century the neighborhood became an index of multicultural immigration, working class identity, and by the end of the first decade accounted for nearly half of the city’s entire population. Today the North End continues to be home to diverse cultural backgrounds, including the largest urban Indigenous population in Canada.

Comprising 50 black-and-white photographs ranging from the 1970s to the 2000s, John Paskievich: The North End is the largest display to date of the artist’s work at the WAG. The exhibition coincides with the 100th anniversary of the 1919 Winnipeg General Strike, a pivotal event in Canadian history with deep roots in the city’s North End.

About the Artist

John Paskievich

Photo: Carolyne Kroeker

John Paskievich is a Ukrainian-Canadian photographer and filmmaker. He was born in a Displaced Persons Camp in Austria just after the Second World War before moving to Winnipeg, where he grew up in the North End in the 1950s and 1960s. In the early 1970s, after studying photography in Toronto, Paskievich began turning his camera to the community of his youth, its inhabitants, wide streets and boulevards, warehouses and corner stores.

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WAG-Qaumajuq recognizes that land acknowledgements are part of an ongoing dialogue with Indigenous Nations, and we are grateful to live and work on these lands and waters. Institutionally, WAG-Qaumajuq is committed to acknowledging our colonial history and we are actively working to interrogate the Gallery’s colonial ways of being.

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