New WAG Acquisition
His sources ranged from politics, male/female relationships, religion, the self, and others whom he may have encountered while on his daily journey’s through Kingston.
The precise subject matter of Crouching Man is something of a mystery. Who is the figure in this painting? Is it a self-portrait? Is it someone from the artist’s life? Is it an altogether imagined subject? Or maybe a simple figure study? Certainly it carries a typically masculine character – broad shoulders, thin waist, thick arms, toned chest, perhaps even the suggestion of a buzz-cut at the top of the head. The facial expression is both tricky to decipher in detail, yet somehow still sinister, disquieting, perhaps even furious!
George’s unnatural mix of golden yellows, limey greens, and small hints of blues in the flesh tone of this man is very similar to that employed by Die Brücke artist Ernst Ludwig Kirchner in his infamous series of bathing nudes during the first two decades of the twentieth century. Indeed, George was influenced by the German Expressionists’ emphasis on the artist’s inner psyche, and preference for gestural mark-making, distorted forms, and bright colours over any precise replication of reality.
This recent donation addresses the unfortunate dearth of artwork produced by Black artists, and other artists of colour in the WAG’s collection. Thus, this acquisition marks the beginning of the WAG’s new focus on acquiring artwork made by Black artists, and other artists of colour (both historical and contemporary).
– Riva Symko, Head of Collections and Exhibitions and Curator of Canadian Art
Milton George was born in Manchester, Jamaica in 1939 but lived in Kingston and Braeton, Jamaica for most of his life. George’s work has been widely exhibited in Jamaica and abroad, among others in Jamaican Art 1922-1982 (1983-86), which toured in the USA, Caribbean Art Now (1987), and New World Imagery (1995), which were shown in England, and has represented Jamaica in the Havana and Santo Domingo biennials. His awards include the Silver Musgrave Medal in 1987 and a gold medal at the 1994 Santo Domingo Biennial. His work is represented in major local and regional collections, such as the National Gallery of Jamaica, and the private collections of Wallace Campbell, David Boxer, Guy McIntosh and Herman van Asbroeck in Jamaica, and Mervyn Awon in Barbados.
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The first time I looked at this, I saw nothing that the narrative described. I could not even make out a face. I thought the commentator must be fantasizing. But I came back for a second look today, and I see that face, though I thought it may be more animal. I also think I am seeing the body as described. I think I will come back a few more times to see if I can absorb the artist’s vision more clearly. This is interesting.